A Mammoth Book Deal! 

A bit of exciting news! After 18 years of writing I have found a home for my wee mammoth book with Simon and Schuster! Coming out next February in hardback.


A massive thank you to my agents Lauren Gardner & Callen Martin of Bell Lomax Moreton and the team at @simonkidsuk. Plus all my writer friends and family who have been cheerleading me through the years!

A Mammoth Night at the Museum

A Mammoth Night at the Museum

February the 14th - St Valentines days. Whilst other folks may be planning proposals of marriage, declarations of love, secret gestures of affection, or romantic rendezvous, a group of 150 people gathered to celebrate the love of all things paleo and mammoth, at the Corinium Museum in Cirencester.

 

The accumulation of hundreds of hours of digging on site at the Mammoth Graveyard in Cerney Wick, plus preparation and conservation, to get the finds ready to go on display. Just six months from mud to museum, and the grand opening of “Mammoths of the Museum’ exhibition was a joyous affair.

The exhibition, displaying items from the 2023 and primarily the 2024 dig, was passionately and carefully put together by Nev and Sally Hollingworth, who also arrange the opening night, with their usual flare.

The Rock Showman - Steve Cousins

 

It really is something to celebrate, often finds, go to museum and a few may go on display but many go into storage for study and research purposes, so getting to see the items volunteers have pulled from the reach on exhibition in one place it truly special.

 

The night was full of surprises too, we met and mingled in the beautiful cavernous meeting space at the front of the Corinium Museum, under the watchful gaze of Wallace and full-sized inflatable woolly mammoth courtesy of Dinomania. The evening was compèred with wit and energy by Rock Showman Steve Cousins, and had speeches from Sally and Nev and the landowners Hill Quarry products.

 

After an amazing announcement, the lights were turned off and the exhibition unveiled, viewed by candlelight (battery powered candlelight anyway) Neanderthal style, which was rather romantic and definitively a memorable way of viewing the exhibits. At the same time Wally the mammoth was unleashed, with his Dinomania Ranger as carperone/bodyguard.

 

Turning on of the light brought cake, (with some familiar cake toppers - my paleo mammoth on the big cakes!) 

Then The Pointy End, did a flint napping demonstration, whilst the Mammoth Trail was unveiled, with my mammoths in various historical dress, hidden around the museum.

The Pointy End 

 

Lastly, there was limited edition print sales of some of my mammoth and a hand axe by Tom Sermon of PaleoArt.com, with all money raised going back into the dig/conservation/exhibition fund, and a talk by Mark Baggott from The Herefordshire & Worcestershire Earth Heritage Trust - Fossil Box initiative that brings curriculum supportive fossil boxes into school.

 

the evening concluded with wine, and a visit to the neighbouring water hole.

It was an amazing event, and one that won’t be forgotten. Whet’s it they say? Mammoths never forget!

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Going out of your comfort zone

Going out of your comfort zone

Sometimes you need for the sake of sanity and progress to push yourself out of your comfort zone. It is easy to stay firmly where you feel safe, and my safe is writing books for children and doodling – mostly mammoths. But recently I’ve pushed myself out of the realms of comfortable – with a little nudge from another mammoth mad person who shares my first name – and into the world of paleo art.

This has in full disclosure included some of my more usual style illustrations of cute cuddly mammoths including making a Top Trunks display boards based on extinct Proboscidea, and comic strips on how poo fossilises and turns into coprolite. But also into something I haven’t done since studying fine art at university or perhaps my art foundation course, which is nearly three decades ago, creating accurate drawings. In this case studies of fossils and what the animals the fossils came from would have looked like when they were alive.

 

The work is considerably more intricate and time consuming, than crating cuddy mammoths, but it is as enjoyable as it is frustrating. I cracked out the good pencils rather than my usual wax crayons and got started. It was a learning curb. I found it easy to get so focused on the details, that I would forget to step back to ensure it was working as a whole, so I had to remind myself to do this at regular intervals.

 

I also felt mammoth amounts of imposter syndrome, with my brain constantly telling me that’ I am no good’. And that ‘I shouldn’t be doing it’. it got so bad that I ventured up into the attic and got down a framed print, that I had brought for my son when he was doing his GCSE art, saying ‘An expert in something was once a beginner,’ and put it beside me whilst I worked. It was to remind me that although I may have a degree in fine art, have been a professional artist, and have a lot of people who are very fond of my mammoths, I am only starting out as a paleo artist – and that I shouldn’t be too harsh on myself.

 

In general I think that the finished pieces vary in quality, but I am proud of them, especially some of the later ones which shows improvement especially considering I only embarked on this endeavour in August

So my point is that this has shown me just how important and healthy it is to explore places out of your comfort zone.

A Summer of Mammoths – Part 1 – The Grand Italy Mammuthus Tour

 

My summer has been bursting with mammoths, which has been both marvellous and memorable. As you will know if you know me, or follow me on socials, I am a tad mad on anything mammoth. This is a by-product of research for a book which has stuck. The last few months have been full of mammoth!

It began with our first family holiday since 2018. To celebrate my youngest’s completion of his school career and taking advantage of being able to travel outside peek time, we went to Italy. We immersed in exquisite cuisine and iconic art, but also mammoths!

On day one is Rome I found an addition to the herd, which I named Roma, much to my kid’s dismay! I also spent time, while waiting for the family to rouse in the mornings, reading about the battle to conserve mammoth bones they found on a 1950s archaeological dig within the city.

But Florence was the jewel in our Italian mammoth adventure, with a visit to the Museo Di Storia Naturale Gelolgia E Paleontologia. This museum had a huge collection of beautifully curated mammoth specimens, including no less than four almost complete Southern Mammoth skeletons found in the appropriately named ‘Tusc’an’ region of Italy. Despite the museum being located a few step along the same road as the Galleria Academia that houses the famous David, it was empty. We had the whole place to ourselves to explore and enjoy the exhibits.

Venice too had a few mammoth gems, in curious Scopri Museo di Storia Naturale di Venezia. Which is like a blend of the Oxford University Museum of Natural History and The Pitt Rivers. with a modern curated Natural History section and a cabinet of curiosities style anthropology section.

All in all I was delighted to have indulged my obsession an shared it with my family  although I’m not sure they quite so pleased!

Freshly back from Italy and it was a race to get everything ready to help with the #TuskForce team of volunteers at the Hill’s Product quarry in the Cotswolds for a Palaeontology dig at the site made famous by the BBC documentary David Attenborough Mammoth Graveyard.  More on that in my next post!

 

A Summer of Mammoths – Part Two – Digging it!

A Summer of Mammoths – Part Two – Digging it!

#Tuskforce team of volunteers  

So freshly back from our grand Italian mammoth tour, and whilst battling with post-holiday laundry it was all out preparing for another adventure of mammoth proportions - the #TuskForce palaeontology dig, at the site found by Sally and Nev Hollingworth that featured on the BBC documentary – David Attenborough and the Mammoth Graveyard.

Two Sally's Sally Hollingworth and me. 

The dig was at the Hills Services quarry site in the Cotswolds who supported the endeavour in a myriad of ways. It spanned three weeks. It was completely funded by donations and completed by volunteers - over 180, from world expert palaeontologists, geologists, students, post-grads, fossil collectors, museum staff, entomologists and one slightly mammoth mad kids’ writer and illustrator. 

With Nev Hollingworth

It was an enormous endeavour, a labour of love of the aforementioned Sally and Nev Hollingworth, who organised the whole thing with tremendous care. They created a festival feel (many of the volunteers camped onsite), by providing evening entertainment - everything from educational talks to bingo nights, and ensuring and there were all essential provisions like - fresh water, toilets, assess to shower facilities, food, and most important a phone charging point! The Hollingsworth’s passion and bubbling enthusiasm was infectious and fostered a family feel across the #tuskforce team.

#Tuskforce team members including Andy and Vanessa who fed everyone!

 

I felt incredibly humbled to attend and initially felt a mammoth does of imposter syndrome (not being in any way knowledgeable in palaeontology) but was made to feel incredibly welcome and a valued part of the team. This was made clear by the fact that my mammoth illustrations were everywhere - the bins, the first aid station, the phone charging point, food tent and even the toilets! But also on people, I was delighted that one of my mammoths was chosen to adorn one of the official dig t-shirts, where part of the money from each sale went to boost the dig fund.

 

I spent 3 days at the dig on each of the first two weeks and 6 days on the final week. Being fair weathered and having dodgy hips, I stayed at air B&B’s rather than camping, but close enough to be the for the daily morning briefing. On the whole the weather was kind, a few wet days, a few sweltering. The dig was hum of shared adventure and passions and the exchange of knowledge. It yielded a wealth of new discoveries, both in the Jurassic and Pleistocene zones. Including a new addition to the proboscidean species of the site, a tooth from one of the largest mammals ever to walk the earth, a Stright Tusked Elephant, which was identified by visiting expert Professor Adrian Lister from the London Natural History Museum.

 

I really had an amazing time. I was let down a little by the limitations of my body, (dodgy hips, EDS, POTS) but when I couldn’t participate in the more physically demanding tasks like digging, I tried to make myself useful. This was assisting in the less glamorous but essential jobs, like assisting the awesome Andy Lee with the water run to get fresh water every day. Trips to the supermarket, helping prep meals, even sorting out the portaloos. 

sneaky coffee with the lovely Andy Lee 

But I also drew specimens, on site (with a very crude art kit consisting of crayons and felt tips), photographing and videoing the dig, and conservation tasks and talking to other volunteers, learning about the diverse journeys to being involved at the dig.

Drawing a mammoth tooth on site.

 

It was a real privilege to have had such an amazing experience, and I extend a massive mammoth thank you to all of the #TuskForce team for making me so welcome, to Hills for supporting the scientific endeavours on their land, and to Sally and Nev Hollingworth for their dedication and generosity in arranging the dig. I am so happy to have been a small part of it!

With a mammoth rib.

 

Beads of Submission - Signing with an Agent!

 

A few weeks ago I posted a blog about my endeavour to receive one hundred rejection in 2024, and in order to a have a constant visual display of my progress I was putting beads in a jar. A blue bead for every submission, and a pink bead for every full manuscript request, long-listing or short-listing etc. By the point of posting, I’d already added my first pink bead.

There is great news the pink bead has changed into a special bead made of actual mammoth bone. Why? I am delighted to say I’ve signed on Lauren Gardner and her assistant Callen Martin of Bell Lomax Moreton, with my mammoth book!

 

However, looking at my jar, it looks wrong, as it only has a bead for every submission I’ve made with this manuscript in 2024, which is misleading as I’ve been subbing this book in previous years. So I went back to my spread sheet to tally up the real submission statics and therefore added them to the jar.

 

Ashley Grimes Mammoth Whisperer in all its forms, has been subbed 42 times and received 6 full manuscript requests and I offer.

 

In addition, it was subbed to 15 competitions, and not so much as a long-listing or honorary mention.

But this is still only part of the story, as I started writing when my youngest was coming up to his first birthday – he is now driving and sitting his a-levels! So, to get to this point I’ve written 8 (completed) novels, I novella, I chapter book and countless picture books, all of which have been subbed and therefore I have a massed a huge pile of rejections. I haven’t tallied all these up, as counting isn’t my strong suit (dyscalculia), but I am delighted to have reached this milestone.

I am very much looking forward to working with Lauren and Callen.

Writing - So Much More than the Pursuit of Publication

Sometimes as a pre-published author I get tunnel vision, believing success is only one thing – getting published. But it is so much more. It just takes a wide angled lens to appreciate just how much more.

When you are on submission and the rejections are rolling in or worse, there is a void of rejections as is the modern way, and everyone seems to be getting contracts but you, it can seem as if success is binary, in print or failed. This is the time to take a step back and admire the view. Due to this exact reason and also not helped by a spell of bad health, this is what I have recently done.

I have done this before and posted about all the ways that writing has enhanced my life and my family's in multiple ways - read more here. But this time I wanted to do it specifically for my current project/submission ‘Ashley Grimes Mammoth Whisperer.’ To see how writing the book has embellished by life, and it is a really lovely view with lots of accomplishments to feel good about.

Firstly, I have rekindled my original love of illustration, as a direct result, as I started sketching the characters and settings. I am now working on developing a portfolio.

Space mammoth - illustration by me - crayons, ink, ipad. 

 

I had an article of non-fiction about Mammoths and climate change published in the amazing children’s periodical The Changeling Magazine, along with one of my illustrations. Read more here.

I’ve also been invited to do library and museum events to talk children and adults alike abut mammoths and their theoretical use to help combat climate change.

 

I’m now sometime referred to as Mammoth Lady or Mammoth Aunty (not actually by my a nephews or nieces!) which I love. Also, often people think of me when they stumble across a mammoth and send me photos/messages, which I adore. Who doesn’t like seeing a mammoth in the wild? Or send me mammoth things they've made - I love a surprise mammoth post!

A selection of handmade mammoth surprise post!

I have had the privilege of messaging, meeting, and making friends with some lovely equally - possibly even more - mammoth obsessed people than me. Like Beth Shaprio, professor of ecology and evolutionary biology who wrote the book, ‘How to Clone a Mammoth,’ who very kindly checked the science in my manuscript. 

Also, thanks to my longest friend Vicky Stowell – thank you, Sally and Nev Hollingworth, who are the amazing paleontologist's who found the Mammoth of Graveyard near Swindon.

Me (middle) With Sally and Nev Hollingworth - (photo by Nev (thanks Nev))

Lastly it was Sally and Nev who invited me to do something that I always wanted to do, go on a planetology dig. When I was a teenager, I desperately wanted to be a paleozoologist or anthropologist, but I was not permitted to take science and I was told by school I would never me allowed to do any scientific endeavour but to stick to art due to my dyslexia and dyscalculia. Of course at that tender age you believe it. So going to the dig was amazing. Full of lovely generous people. Although I personally didn’t find any bits of dead mammoth, I did help plaster a mammoth tusk ready for transport. Which was a real honour! 

Me helping with the plastering - thanks to Sally H for photo.

So, when the rejections are rolling in, and my lack of perceived achievement gets me down, I have to think - if I gave up writing what else would I miss? The answer is - a lot. A lot of awesome stuff!

Me at the dig! Thanks Sally H for the photo!

Submission Impossible? 100 Rejections in a Year!

I’ve made the decision that this year 2024, I’m really going to knuckle down and submit like I have never submitted before. In the past I’ve always approached my submission process with a tad less dedication than the writing itself. After spending hours (far too many to calculate) researching, plotting, world building, writing, revising and editing, (and repeating several times over), the submission always start with an enthusiastic flourish and then after a first dozen and half of rejections, I lose confidence, and everything just peters out.

This year though, I believe my manuscript is in really good shape, and the feedback from peers and professional has been encouraging, so my aim is to be more tenacious in 2024. With that in mind I have set myself the target of receiving 100 rejections before we next sing Auld Lang Syne.

 

To achieve this, I’ve built in dedicated time in my weekly schedule and have implemented some measures to visually show progress. In addition to my spreadsheet, I’ve got a glass vase and some crystal beads. With every submission I will add a blue (stripped agate) bead to the vase, and with every full manuscript request, long-listing, short-listing or honorary mention, I will add a pink (tigers eye) bead to the vase. This will mean that I will see the vase gradually filling up throughout the year.

I am hoping that having this visual tactile log of my progress will also serve as a stimulus to keep me motivated and continue the endeavour of reaching my target.

If by a miracle I get signed along the way I will think of a something extra special to add to the vase.

 

**Edit** since initially writing this I’ve added my first pink bead! Fingers crossed!

World Book Day 2024, Celebrating as a Pre-Published Author with no Small Children (anymore!)

Happy World Book Day everyone!

World Book Day in years gone past was a big thing on our family calendar. Me writing, and immersed in the kid’s lit world, and two bookworm children excited about all the school WBD festivities. It was grand, read more [press here]. 

But then the kids grew up so no more WBD dressing up scrambles, and me still being unpublished, having no events to attend. This can be difficult as it really makes the notion of success as a writer seem binary, published v’s non-published, as everywhere on social media there are authors doing events. I have in the past years used the days to dream how I would do an author event if I were published but it can be lonely [press here to read more], so this year I decided to be proactive.

So my World book Day 2024 plan is…

Spread the love…

• Having been on the booksellers end of WBD, I decided to give a WBD Bookseller’s Survival Care Package to my local Indy bookshop.

• As I am literally across the road from a pre-school, and I make story sacks, I made and delivered a mammoth themed story sack for them which I will deliver on the day.

• I am going to spend some time doing reviews on Amazon /Goodreads for books I read recently.

For me…

• I have a virtual coffee scheduled with another author/illustrator, to raise a cup of some caffeinated substance in celebration.

• I will read. Read with abandon, without guilt that I could or should be doing something else!

• A trip to a bookshop.

So that is my World Book Day shorted. What are you doing?